![]() Considering how many of his career highlights come from his mixes, whether collaborating with Cut Chemist ( Brainfreeze Product Placement The Hard Sell) or going solo ( Diminishing Returns Funky Skunk), it's probably unsurprising how well-paced and unique these early examples of his technique are, even from a 19 year-old. The first volume, which includes two of the five mixes Shadow put together for KMEL circa 1991, is the most immediately entertaining, as well as one of the more illuminating looks into Shadow's early identity at one point there's a brief interview interlude where Shadow downplays his nascent production work ("hopefully, y'know, a little bit further in the future that'll be my career or whatever") and emphasizes his work as a DJ and mix creator. Now we have proof- and this set doesn't just reveal Shadow's origins, it's a great assemblage of traditional, golden-age-era hip hop turned just a bit sideways. was steeped in classic hip-hop fundamentals, and we had to take their word for it. (The other 5% mostly consisted of the Hammerman cartoon and PSAs where ciphers in five-years-dated Run-DMC outfits crossed their arms and rapped "I'm so-and-so and I'm here to say that buckling up is A-OK".) Most people who've followed DJ Shadow's career have done so with his Mo Wax output as the starting point we were told that the man behind grand artistic statements like "In/Flux" and Endtroducing. ![]() But The 4-Track Era Bundle comes from a fascinating germination period for Shadow- 1990 to 1992- where he was an aspiring producer in his late teens getting his foot in the door at a time when 95% of hip-hop was still more or less an underground phenomenon. It's almost inconceivable today that someone doing what Shadow did- and what Shadow does now, for that matter- would find their way onto a radio venue more mainstream than a college station.
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