Color management is not yet built into the Android operating system. Based on the ColorSync color management that Macs have used for many years, iOS color management helps reproduce color consistently on iOS devices with wide gamut P3 displays. Recognizing this, Apple added system-level color management in iOS 9.3. Mobile devices are not as advanced as desktop computers when it comes to color management. But now that the price of Adobe RGB displays has gone down and Apple and Microsoft are selling millions of devices with P3 displays to consumers, wide gamut is rapidly going mainstream. It used to be that wide gamut display issues weren’t something most people ran into unless they made a conscious decision to buy an Adobe RGB monitor. Another option is to connect an inexpensive sRGB display to your computer and view non-color-managed content on that display. But some wide-gamut displays, including Apple P3 displays, don’t have that option. This can be a good way to prevent oversaturated colors in non-color-managed workflows. Some wide-gamut displays let you limit their gamut to sRGB in the display itself, independently of the computer. Applications that don’t use system-level color management may display oversaturated colors on a P3 or Adobe RGB display because they’ll incorrectly assume the display is sRGB-based. It’s trickier for workflows involving applications that don’t use color management, such as some web browsers, video editing applications, and web design software. The way you set up Color Settings should be based on the requirements of your production workflow, not on the specific display you use. You probably don’t need to change the settings in the Edit > Color Settings dialog box in Photoshop, InDesign, or Illustrator. And as long as images and other documents are tagged with an appropriate color profile, color-managed applications can reproduce colors consistently on a P3 display. A P3 display is no problem as long as the selected display profile accurately describes that display. Color-managed applications such as Photoshop, Photoshop Lightroom, and InDesign automatically use whichever display profile is selected in your Mac or Windows system preferences. How a P3 Display Fits Into a Production Workflowįortunately, working with a P3 display is no different than correctly using an Adobe RGB or sRGB display. Adobe RGB leans more toward blues and greens, while P3 extends a little more into yellows and reds.īoth P3 and Adobe RGB displays can reproduce much of the gamut of Epson Stylus Pro 3880 printer inks on Epson Exhibition Fiber paper, while an sRGB display falls short of the printer’s color range. How Does P3 Compare to Adobe RGB and sRGB?Īdobe RGB and P3 are similarly larger than sRGB and have a lot of colors in common. The P3 comparisons in this article are based on the Display P3 color profile included with recent Mac computers. ![]() Microsoft chose a P3 display for their Surface Studio desktop computer. You might already be using a P3 display: many newer Apple devices have them, such as newer iMac and MacBook Pro computers, iPad Pro tablets, and some iPhone models. Apple created their own version called Display P3, adapting it for computer displays and making some aspects of it more consistent with sRGB. The DCI-P3 color gamut started out as a standard for digital cinema because it’s based on the color range reproduced by the type of digital projector you’d find at a movie theater. Like Adobe RGB, P3 is a wide-gamut alternative to sRGB. ![]() ![]() Now there are displays using the P3 color space. (Based on a Lab color graph from Apple ColorSync Utility.) What’s P3? Adobe RGB is called a wide gamut color space because it can reproduce a larger range of colors than sRGB.
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